Tuesday, 26 June 2012

VOICES: Nigel Campbell (London)

Dear Nassim

I have just seen (and participated in) White Rabbit, Red Rabbit, here in London as part of the London International Festival of Theatre. I was number 9, The Bear, which is very apt, as I have a beard and gay men (as I am) with beards are called Bears here in the UK!

You will be very gratified to know that the play was performed superbly by award winning actress Juliet Stephenson, who interpreted your words with grace, poise, feeling and humour. It was a privilege to witness such a fantastic and innovative piece of writing being performed with such expertise. We have left Juliet on the stage, but hope she will be joining us for a drink shortly, as long as the poison wasn't real. Fingers crosed.

Thank you very much. And good luck.
Nigel

Juliet Stephenson

VOICES: Alan Marks (London)

Hello Nassim

My name is Alan Marks.

I read as White Rabbit (no: 11) in this afternoon's performance at the Gate Theatre Notting Hill London with Janet Suzman as the Actor.

I was shocked but excited to be picked from the audience to close your play.

Janet was excellent in the part - nearly as good as me.

A very good play.

Well done for writing it and thank you.

I hope this email is still active and that it reaches you.

Best regards
Alan

FACES: Rabbits at Lift (London)

Some great photos from the audiences at Lift:

June 24, 2012 - photo from Thomas Pratchett

June 24, 2012 - photo from Hamish MacPherson

June 24, 2012 - photo from Simon Cuthbertson

June 24, 2012 - photo from Alice

June 24, 2012 - photo from Simon Cuthbertson

June 24, 2012 - photo from Liz Curran

June 24, 2012 - photo from Liz Curran

June 24, 2012 - photo from Liz Curran

VOICES: Tristan Bernays (London)

Dear Nassim,

I hope that this finds you well - my name is Tristan, I am a 27 year old writer from London and I have just returned from seeing your play White Rabbit, Red Rabbit at the Gate Theatre, London. I was asked to be note-taker for the show (technically, I volunteered, as I'll take any old excuse to put pen to paper) and, seeing as you asked me to keep notes, I thought it only right that I should share them with you.

First, I loved your show. Or should I say our show? for though you captured the first spark of inspiration and moulded the script into its final shape, all the people involved - Janet Suzman the actor who performed your script, the audience members who pretended to be rabbits and bears and cheetahs and ostriches, myself who took notes, the others who timed on their watches and took photos on their iPhones - all of us worked together to make that story. We were all responsible.

White Rabbit, Red Rabbit seems to be just about that: responsibility. Not only on a political level but on a personal level. I felt like you were asking me to take charge and get involved. It was, like the best theatre, empowering and inspiring. So thank you for that.

I hope you are proud of your work and how it has allowed you to travel. I have always wanted to visit Iran. Last year, my ex-girlfriend and I planned to travel the Middle East - Egypt, Lebanon, Syria, Iran - but with the Arab Spring it made it a tricky prospect so that plan had to be set aside (I say ex-girlfriend but don't worry - the Arab Spring my have ruined our travel plans but it was not responsible for us breaking up). One day I hope that I shall visit Iran, and I shall be able to meet you in person, to shake your hand and talk with you about this and that. But even more, I hope that you, like your work, shall be able to travel - to visit London perhaps (there are so many places to choose from) - and there we shall get to meet.

In the meantime, thank you for your wonderful words and good luck with those still to come.

Until we meet,
Tristan

Thursday, 21 June 2012

White Rabbit, Red Rabbit in The Guardian

White Rabbit, Red Rabbit: the play that asks you to leave your phone on
Safraz Manzoor
The Guardian | June 21, 2012

The Guardian ran a profile of White Rabbit, Red Rabbit for its performances at Lift this month. Here are some thoughts from the performers:

"It takes you by surprise because it is so funny and silly at the start," said [Tom] Basden, "and then things start to develop which are quite surprising and dramatically interesting: at the heart of it is the idea of someone trying to speak through someone else and the question of what censorship means."

Juliet Stevenson: "It is unlike anything I have ever done before but I like jumping out of the comfort zone - it is good to do something that is a bit scary...Plus I have the perfect excuse if it doesn't go well...because I can say that I am under-rehearsed."

"Having the actor not see the script beforehand gives you a profound sense of the writer's voice in the room," explained [Chris] Haydon [Gate artistic director]. "The spontaneity of an actor reading a script for the first time and discovering it with the audience gives complete authority and power to the writer's voice, and the way that voices control people is an intrinsic theme in the play."

Read the full article here.

FACES: Rabbits in Calgary

June 20, 2012 at Magnetic North

Wednesday, 20 June 2012

REVIEW: Calgary Herald

White Rabbit, Red Rabbit Review
Bob Clark
Calgary Herald

**** (out of 5)

"You can count on the fingers of an armless man the number of times a playwright asks his solo actor at the end of a play to make a blind choice between life and death, between a glass of water and a glass of poison. But that's the request made by Iranian playwright Nassim Soleimanpour of Edmonton actor Sheldon Elter in the final pages of White Rabbit, Red Rabbit on Monday at Big Secret Theatre...

...Throughout the play, Elter proves an engaging presence obviously up to the challenge of what amounts to a unusual, absorbing, and altogether personal kind of theatrical deconstruction."

Read the full review here.